“The Dodger Collection: Richard Kee Photographs”

The author: Richard Kee
The publishing info: Taylor Publishing; 188 pages; $39; released Sept. 27, 2023
The links: The publishers website; the authors website; at Amazon.com
The review in 90 feet or less

Above, check out Dodger Stadium from above.
The photo is included in rare and classic 1967 collection curated by artist Ed Ruscha called “Thirtyfour Parking Lots in Los Angeles.” Limited-edition copies of the self-published 10-by-8 inch book, part of a series of 16, sell in the thousands of dollars.

In this book, Ruscha uses aerial viewpoints over many places in L.A. to capture its dramatic display of abstract geometry and composition — including the football field and campus over Pierce College in Woodland Hills, the Gilmore Drive-In, a Sears & Roebuck store, churches, shopping centers and spots in Century City and Universal Studios.
The images were actually taken by Art Alanis, with the direction of Ruscha, hovering in a helicopter Ruscha hired for this shoot on an early Sunday morning. In 1999, Ruscha produced limited edition portfolio prints from the same negatives as from the 1967 book, but some were cropped differently, which displayed more of the original image. They are in a book that describes them as a way to “bespeak and punctuate a rapidly developing cityscape.” That ’67 book also came a year after Ruscha famously published “Every Building on the Sunset Strip.“
The Los Angeles County Museum of Art has an exhibit called “Ed Ruscha / Now Then” starting April 7 and running through October 6. It also has an online digital display of 30 of Ruscha’s “Parking Lots” — here is the Dodger Stadium shot as it was printed on gelatin silver paper for display.
One of the most important artists still working today, Ruscha moved to L.A. from the Midwest in 1956 to attend Chouinard Art Institute, now known as Cal Arts. Ruscha’s “diverse oeuvre” (as one gallery puts it) includes painting, drawing, prints, photography, film and artists books. His work is known to be inquisitive and philosophical, mirroring pop culture, language, commercial advertising and contemporary life. A Warhol for today’s world.
Reflecting on the 2024 Dodger Stadium home opener — more than 50 years now since it opened, after updating, reshaping and still preserving its original 1960s art form — I’m thinking that if Ruscha’s work in this instance is focused from high above the ballpark, Richard Kee has a collection of work that captures the place from its primary foundation.
So much so, photographer Kee can even step back to admire and acknowledge just that aspect, as, in this book, his portfolio concludes with the shot below and Kee captions it: ” … and finally, the heart and soul of Los Angeles Dodgers baseball.”

That’s actually quite heavenly.
Continue reading “Day 6 of 2024 baseball book reviews: Take my picture, Rich”










