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Day 19 of 2026 baseball books: What affects the Mojo Effect?

The Magical Game:
The Spirit and History of
Baseball’s Superstitions, Rituals, and Curses

The author: Addy Baird
The details: St. Martin’s Press/MacMillian, 304 pages, $29, released June 2, ‘26
The links: The publisher, the author, Bookshop.org


A review in 90 feet or less:

Eric Poulin’s recent Facebook post made us feel kinda icky, as much as the game was doing that to his own psyche.

It’s an interesting choice of words for someone who came out in 2025 with a book, “Here Comes the Pizzer: The Found Poetry of Baseball Broadcasts,” which caught our review series.

Poulin wasn’t finding it — no poetic justice in some of the things around the ball diamonds of an America charging into its 250th birthday celebration. If baseball holds a mirror up to the country, both might be in need of some magical cleansing.

Poulin wrote this before more of the latest missteps made at various MLB pride nights — specifically by players. Then, opportunistic legislators in over their heads. It’s almost poetic that in Poulin’s referencing the Cubs’ PCA, who had already alienated the Los Angeles Dodgers’ fan base he grew up with, that he finds himself embraced this week at the Friendly Confines:

Comments to Poulin’s original post included:

== Bruce McClure, recently elected to the board of directors for the Society of American Baseball and the longtime SABR chair covering Maine and New Hampshire: “It’s inevitable that this de-evolution of American culture (and dare I say behavior) spill over into our great game. Baseball is so closely associated with our culture and fabric that the seeming nastiness of our daily lives has infiltrated major league stadia across the country. … With a little work, I can get around the $%^& that we are subject to nearly 24/7. … Eric, you’re spot on here.”

== Scott Lawson Pomeroy, a singer, guitarist and song writer from Hartford, Conn.: “Politically Correct currently means Woke to the majority of men today, and so the pushback against that is what the rest of the world views as the Ugly American. … I’m pretty grossed out by how over the top toxic the energy is these days too.”

== Jason Cost of Hickory, N.C.: “Saddest part is that the season may be the last we get for awhile with the imminent lockout.”

Yeah, there’s that, too.

As Eddie Brown wrote for the San Diego Union-Tribune: “Baseball is about to argue over payroll inequality while the rest of the country argues over rent, groceries, wages and gas prices. … Baseball keeps acting like nostalgia can (fix things). It can’t. Nostalgia is what you sell when the present stinks.” As Jim Bowden wrote for The Athletic: “The game is in a great place — embrace it, grow it and don’t ruin it” with a work stoppage.

My angst centers more on tweaks the game’s gatekeepers thrust into the flow, deciding things still needed to be sped up in concert with creating a product as perfect as possible.

Clocks and video-generated challenges seem necessary for half-hour TV game shows created by LeBron James’ friends. Not for baseball.

My perfectly cynical mindset sees these two elements merging the game’s psychology with its business functioning. Speeding up the action sure feels like it’s trying to keep up with the fever pitch of those now gambling legally on it. Instant gratification and impulsive wagering have no time for lulls. The waiting was the hardest part between what the next prediction prop bet comes up on the screen. It’s why we apparently also need to make sure a bang-bang play at first or a slide at second has no human element mucking things up. The betters need to know the game is trying to be as auto-correct as possible. No one wants to lose money based on an umpire’s eyesight.

If a pitched ball is less than 0.1 of an inch outside the imaginary batters’ box, and that technology is then displayed up on a scoreboard for 50,000 to anticipate a verdict, what’s to stop someone from placing another bet on what that outcome will be?

The questions fester: Has baseball’s aura been hijacked and misappropriated? Has its charm of imperfection been contaminated and reconstituted to fit the needs of financial, political or other outside forces that clash with communal pleasure? Have bookies and the sharps interrupted our pure, timeless enjoyment.

If there is indeed a growing enshittification of baseball, has it been maxed out, perhaps, by a misguided hex?

We want to exclaim: Did you see Ohtani did last night? Is he some kind of wizard?

And then you see what MLB’s capitalists do to authenticate anything remotely related to it. How cruel.

This current world of like, follow and subscribe leads us to verify the words of Addy Baird, a Salt Lake Tribune political reporter, New York Mets fan and self-assigned astrologer who has had these same questions and tries to align them with her own cosmic choreography of how the game brings her enjoyment.

She signs off on Chapter 8, “The Death of Magic,” with the reminder: “An unchanging thing is a dead thing.” It’s her fortune cookie response to spending the previous 30 pages wrestling with her own angst over the game’s re-calibration, which included better defining infield defensive shifts, larger bases and all those other clockings. It’s along the lines of what Jane Leavy nailed to the MLB front door with her “Make Me The Commissioner” petition. The church of baseball can’t be selling its sacred indulgences.

Thomas Jefferson installed a spherical sundial of his own design at his home in Monticello, likely based on examples he had seen in Europe. Does it not look like a design of a baseball that could be created for our enjoyment?

This is the break out part of Baird’s current events section.

She finds so many instances going back to the 1800s when writers were handwringing over baseball’s changes. She finds a fabulous Bill James’ line: “Until 1945, baseball did have a clock. It was called the sun.”

He also wrote in 2024: “The vast proliferation of (and fascination with) small measurements (exit velocity, pitch counts, pitch movement, launch angles, etc.) represents not the success of sabermetrics, but its failure. We have fallen back into details. It’s like our clothes have been caught in the machinery.”

A May 30, 2026 post by Daniel Evensen’s “The Baseball Replay Journal” titled “The Ever Dying Sport.”

Reformation and enlightenment and adversity and people’s schedules have brought us to this moment, and maybe the magic is more nostalgia in our minds … and just what is nostalgia? Baird does a fabulous job of explaining that word’s origin and how it’s been twisted a bit. She also extracts, on page 223, how the MLB rulebook since 1901 had this: “The umpire shall call a ball on the pitcher each time he delays the game by failing to deliver the ball to the batsman for a longer period of 20 seconds.”

The rule had simply been unenforced. It was there to make sure the game was fun. It had “an excitement and vim about it.”

We do as well after soaking all this in.

A day before her book’s official launch, she wrote a piece for the Trib that led off with a conversation she had in 2024 with former Angels pitcher Clyde Wright, trying to pick his mind as to whether or not the franchise he played for in Anaheim was, well, just plain doomed.

“It was a winding and special conversation, and it became one of my favorites among the dozens of interviews I did for my new book,” she wrote.

Wright’s conversation is embedded the start of Chapter 3 titled “The Jinx,” when he discusses how teammates tend to act goofy when a pitcher is in the middle of crafting a no-hit bid — which Wright succeeded with on July 3, 1970 against Oakland before just 12,000 on a Friday night in Anaheim. It makes one think how, 45 years later, the same sort of incredible thing could happen with just as few fans on a Fourth of July weekend.

Clyde Wright 1971 Topps card No. 240 backside.

As much as Wright added to this jinx discussion, we’re reminded of a spot-on assessment Vin Scully gave in a 1960 story that ran in the Los Angeles Times: “It’s insulting the listeners to make them think they’re silly and superstitious enough to believe my telling them that a no-hitter is going will affect the game. You see, no one expects a listener to hang on to every word for three hours. They leave the radio from time to time and this service must be rendered.”

Scully, who called three perfect games among his 20 no-hitters, as well as many that were spoiled late, absorbed that philosophy from Red Barber, who Baird quotes from his 1993 book saying: “This hoodoo business started in the dugouts with a fairly reasonable premise — fear of putting undue pressure on his pitcher, who just might be blissfully unaware … Then, before the radio came along, this hoodoo, or jinx, got up in the press box … it spread into the broadcasting booths. Not mine.”

Wright could have added to the discussion about this long-held belief that the Angels are a cursed franchise.

Continue reading “Day 19 of 2026 baseball books: What affects the Mojo Effect?”

Day 18 of 2026 book reviews: Life lessons baked into the journey

“Crossroads: A Memoir in Baseball and Life”

The author: Dusty Baker
The details: Crown Publishing/Penguin Random House, 416 pages, $32, released June 9, ‘26
The links: The publisher, Bookshop.org


A review in 90 feet or less:

Johnny B. Baker Jr. has had a good number of moments that he refers to as “crossroads”as he comes up on his 77th birthday.

At least, a baker’s dozen of these pivotal events. When things could have headed down some dusty road full of potholes and regrets.

So many of us have felt some cosmic connection to Baker over the years — tossing him bubblegum as he ran out to his left-field position at Dodger Stadium during his eight seasons, listening to him deconstruct the time he managed the rival Giants to the edge of a World Series title in 2022 only to see the Angels snatch it away — here is a road that opens up, to travel back in his time, reconnect and understand.

Baker almost lets us feel as now we’re qualified to be part of his “grand counsel of advisers,” people he could lean into “anytime I was at a crossroads,” as he writes on page 253. “I wasn’t always read to hear what they might have to tell me — or show me. Some of it was forced on me and I learned from it later …”

Now it’s time to share.

From Dusty Baker’s Baseball-Reference.com BR Bullpen bio page.

Baker embraced wearing the No. 12 for the Dodgers, as well as every team he played for and those five he served as a manager, because it honors Dodgers outfielder Tommy Davis, wh0 Baker admired as he grew up in Riverside. That’s the number he’s assigned as part of the franchise’s “Legends of Dodgers Baseball” as of August of 2024.

Knowing he had a brilliant writing sherpa in sports journalist Steve Kettmann, co-director of the Wellstone Center in the Redwoods, to keep him digging deeper, we offer these six experiential joys we took away from the project and encourage to find your own:

Chapter 1, page 11: This up-and-down relationship he had with his father — his first baseball coach — shows a path on how to forgive and move on to more positive memories:

My dad taught me … no one controls your own emotions but you, not unless you let them. My dad was one of the coolest dudes I ever met. … My dad explained something … that took years for me to understand, which was the difference between what he called outer dignity and inner dignity and the importance of knowing which was which. The outer dignity is what you’ll do to keep your job and feed your family. There has to be room for that to stretch a little sometimes. Your inner dignity is different. … (it) involves fixed points that cannot be moved. No man should intrude on your inner dignity. You can’t let that happen. … Along the way you have to  learn for yourself what you will take and what you will not take. You must be more determined and have more character. You have to find a way to pull strength from some of the negatives. … I’ve always been taken care of when I guarded my inner dignity.

Continue reading “Day 18 of 2026 book reviews: Life lessons baked into the journey”

Day 17 of 2026 baseball books: More than a pursuit of triviosity

“The Complete Book of
Baseball Trivia:
Test Your Knowledge
with 750 Questions”

The author: Matt Chandler
The details: Sourcebooks/Callisto publishing, 208 pages, $12.99, released March 3, ‘26
The links: The publisher, the author, Bookshop.org


A review in 90 feet or less:

Something here just wasn’t lining up right. Even for someone like me who has to think a second — are the Atlanta Braves in the National League West, East, or American League Central with Houston’s Colt .45s?

Charging down the backstretch of a dopamine-demanding 750-question baseball trivia quiz, Question No. 460 seized up my cerebral cortex where reasoning and uncommon sense are stored.

The left side of the menu wasn’t matching up with the right side.

Jack Morris — grinded out the 10-inning, 1-0 Game 7 win for Minnesota (not Detroit) over Atlanta in 1991, earning him Series MVP and, whether deserving or not, an eventual spot in the Baseball Hall of Fame. Knew that.

John Lackey — a rookie called on to start Game 7 of the Angels’ 2002 World Series against San Francisco at Angel Stadium. I was there. They even got the name right: Anaheim Angels.

Randy Johnson — dominated the 2001 World Series for Arizona over the heavy (and emotionally) favored New York Yankees. After a complete-game 3-0 shutout in Game 3, five more shutout innings to start and win a lopsided, survive-or-die Game 6, and then, the next day, loping out of the bullpen for Game 7 with two out in the top of the eighth to wrap things up as Luis Gonzalez delivered the bloop-slap dagger in the bottom of the ninth.

So, that makes it 1d, 2a, 5b.

According to how we were taught to take the SAT some 50 years ago, how do we resolve the last two possibilities? Is this where we pull out phone and Ask Jeeves?

(That’s rhetorical, of course. It is with some nostalgic regret that we discovered the unbeloved search engine ran out of gas just recently. It was said to be a quiet, peaceful death. No next of kin to notify. Someone, however, still has possession of the domain name “ask.com” Here is the official obit):

For the good of society and our own mental health, we can’t just give in to the urge to search engine everything when our brain pauses for a second to gather itself.

If needed, we’ve constructed a few healthy guidelines.

First, don’t default to Google. It’s become Garbage.

Google man control some 85 percent of the search-engine market, but this cesspool of misguided algorithms, paid-sponsored AI inserts, unhelpful suggestions and outdated references is why Corey Doctorow has included it as Exhibit A in hiss book, “Enshittification: Why Everything Suddenly Got Worse and What To Do About It.” Get the book, of course, just not on Amazon, which is another tech giant/digital platform that, as Doctorow writes, “systematically degrades user experience for profit.” That description is even on the Amazon book listing, luring you to still buy it.

If you can also override whatever is causing your software to default to Bing — aka, Microsoft Revenge — because that powers Yahoo Search and AOL. Lycos is as relevant as MySpace. ChatGPT, You.com, Waldo, Ecosia, Yep.com, Perplexity AI … maybe technically in the search engine family, but we still can’t trust what’s being loaded into the front end of its wood chipper. . We smell musty oak that pines for accuracy.

DuckDuckGo is our go-to. There’s first a feeling like entering a changing room at Nordstrom, feeling you’ve got far more privacy than what security cameras are pointed at you in your local Ross Dress for Less.

That said, back to this five-part puzzle.

Continue reading “Day 17 of 2026 baseball books: More than a pursuit of triviosity”

Day 16 of 2026 baseball books: Fast, furious and fearless folklore, backed up by the facts

“Nolan: The Singular Life
of an American Original”

The author: Tim Brown
The details: Grand Central Publishing/Hachette, 352 pages, $30, released May 19, ’26
The links: The publisher, the author, Bookshop.org


So Young, So Great:
Bob Feller Electrifies
Baseball and America”

The author: Jim Ingraham
The details: University of Nebraska Press, 280 pages, $36.95, due for release June 1, ’26
The links: The publisher, the author, Bookshop.org


A review in 90 feet or less:

Jacob Misiorowski, so young and so … worrisome.

The Milwaukee Brewers’ 24-year-old seems to be on a fast-track for success just months into his second full season. We thought things were rushed a bit when they included him on the National League All Star team in July when he’d just made a few starts and started moving the needle on social media.

Let the record show that on May 8, 2026, the 6-foot-7 right-hander threw the seven fastest pitches ever recorded by a starting pitcher.

Some, in the same inning.

Taken out after 95 pitches, going long enough to be credited for the win in a 6-0 blanking of the New York Yankees, Misiorowski hit the 103 mile-per-hour mark 10 times. He topped out at 103.6 with the last pitch of the first inning — getting Aaron Judge to fly out to right, before striking him out twice in subsequent matchups).

“The Miz” did this all wearing a cringe-worthy, weird-blue “Wisco” Nike City Connect jersey that years from now will cause MLB historians, as well as Brewers fans, to be horrified.

According to data collected in the Statcast era that began in 2008, a starting pitcher in an MLB game had thrown a fastball clocked at 103 mph or greater just four times prior to that day. Included in that 18-year span was one previously delivered by Misiorowski — just seven days earlier. It came as he was in amidst throwing a no hitter, and had to come out after 5 1/3 innings against Washington because of a hamstring cramp.

Misiorowski, at this moment, has thrown 11 of the fastest 14 pitches ever by a starter. That’s a line of demarcation when compared to hired-gun relievers such as  Aroldis Chapman (105.8 mph in 2010 for Cincinnati, 105.7 mph in 2016 for the Yankees), Ben Joyce (105.5 mph in 2024 for the Angels) and Mason Miller (104.5 mph in the 2025 post-season for San Diego).

In throwing his fastball about two-thirds of the time, Misiorowski has what’s also called a “perceived velocity” of more than 105 mph. His extra-large frame and long arms drive down off the mound and toward the batter with a release point much closer to what they are used to seeing. “A gangly stick of dynamite who is exploding past previous notions of what is possible for starting pitchers,” is how one writer sized him up.

Misiorowski is just the latest unique metronome, keeping his own time, tempo and rhythm. He also has the cool, somewhat mythological back story. Pronounced miz-uh-ROW-skee, he went to of Grain Valley High just outside Kansas City. During the 2002 June MLB draft that took place at L.A. Live during the MLB All-Star festivities, Milwaukee took him at No. 63. Twenty-six pitchers were taken ahead of him. The Angels (taking shortstop Zach Neto at No. 13) and the Dodgers (taking catcher Dalton Rushing at No. 40) had their sights on other targets.

Misiorowski may have been stashed away at Crowder Junior College in Neosho, Missouri, about three hours south of K.C. — where Interstates 44 and 49 merge near by the Arkansas/Oklahoma/Kansas border on the western edge of the Ozarks — but the Brewers knew.

When some try to handicap the early markers of the 2026 NL Cy Young race, it’s easy to be marveled at how Misiorowski, who struck out a team-record 11 for an Opening Day appearance, has launched almost as many fastballs at 100 mph or swifter just in his last four starts (143) as every other starter in MLB combined has thrown all season (144). He is also on pace to roll up the greatest strikeout ratio (14.1 strikeouts per nine innings) of any starter in history.

Assuming he makes it to enough innings.

Milwaukee Brewers manager Pat Murphy has compared Misiorowski to “a young prizefighter finding his way.” Others see him in line with contemporaries Paul Skenes or Hunter Greene. His age-to-production ratio so far is like Felix Hernandez.

Maybe, someday, the names Feller and Ryan will come into the conversation. As long as he isn’t a Mark Fidrych, Kerry Wood, Mark Pryor. Or Steve Dalkowski.

Joe Posnanski wrote in a May 15 Substack post:

I watch Jacob Misiorowski’s impossible feats of strength with anxiety and worry. I want to enjoy (his accomplishments) the way I enjoyed watching Nolan Ryan or Rob Dibble or Justin Verlander throwing blazing pitches.

Alas, when I watch Misiorowski pitch, I can’t help but see the “Misiorowski Feels Elbow Discomfort; Will Skip Next Start” headline, followed by, “Brewers Optimistic That Miz Will Not Need Surgery,” followed by “Misiorowski Hope For Quick Recovery from Tommy John.”

But what can you do? Ask The Miz to throw slower? I mean, that’s not viable.

I sometimes wonder: Would baseball be a better game if teams were allowed to use only two pitchers on any given day? This is not a serious suggestion — it’s obviously not going to happen — but more like a thought experiment. Pitchers used to maxing out for five innings would find it hard to adjust to their new reality.

But what would happen long term? I imaginevelocity would drop, pitchers would develop more secondary pitches, the knuckleball would return into the game, star pitchers who could throw 250 or 300 great innings would become the most valuable commodity in the game. I think, in time, pitchers would adjust because they’d have no choice but to adjust.

I’m not saying that’s a better brand of baseball — in many ways, it’s not — but for people my age, it’s a more familiar game.

Because we have reams of history to reference in this case.

What was Nolan Ryan doing at age 24?

He had been with the New York Mets’ organization for six seasons, and was a 10-game winner at that point. But also a 14-game loser. With three complete games in 26 starts over 150-plus innings. The Mets didn’t really know what to do with him, so after that 1971 season, they shipped him to the California Angels. The eight-time All Star wasn’t done until 1993 when he was 46 — almost twice Misiorwoski’s current age.

When Bob Feller reached his 24rd birthday, he was a full-grown man wearing a U.S. Navy coveralls as a chief petty officer aboard the USS Alabama during the height of World War II. He had enlisted the day after the Pearl Harbor attacked in 1941.

By that point, it felt as if Feller had already has a lifetime of experiences in Major League Baseball. From 1936 to 1941, from the age 17 through 22, Feller had 117 complete games in 175 starts for the Cleveland Indians. He was top three in the AL MVP voting three times. At age 19 — the number he eventually wore on his jersey — he made his first of four All Star games in a row. He would have likely won four Cy Young Awards during that run had that had been a thing at that time.

In 2024, Joe Posnanski did a Substack post called “Revisiting Greatness,” as he decided he wanted to examine all 270 Baseball Hall of Fame plaques and rank them, in order, of those that were in the most need of rewriting. Of Feller’s plaque, which came in at No.188 on his list, Posnanski noted how the stats just don’t jump off the plaque that maybe they once did. He wrote: “I’m not sure why the plaque doesn’t include Feller’s multiple awesome nicknames, “Rapid Robert” and “Heater from Van Meter.”
When awesome baseball records are set, there’s a strong temptation to believe that they will never be broken. And some probably never will be broken … I’m sure that when Bob Feller was elected to the Hall of Fame in 1962, nobody could imagine the great records on his plaque being surpassed. But then a guy named Nolan Ryan came along.”

Can’t recall anyone asking Ryan or Feller to throw slower and preserve their health. Different times, different mindsets.

Connecting Misiorowski to Ryan to Feller isn’t a fair real linear exercise at this moment. Nor will it really be years from now. But the way history will document any of this makes it all the more intriguing. Because the one thing we know they all shared: They all threw a baseball pretty damn fast. By whatever measurements were best available at the time, and whatever medium (radio, TV, social media) were best at conveying those stories.


New York Newsday columnist Steve Jacobson started a piece in August of 1989 this way:

Every time the smoke of another of those showcase gems by Nolan Ryan, the baffling Old Man of fastball pitchers, reaches Cleveland, Bob Feller feels a twinge. Perhaps it can be interpreted as a twinge of jealousy; it’s a definite twinge.

Feller was the Strikeout King of the early days when radio and then television told us about the romance of the fastball. Feller accepts compliments as comfortably as he accepts paid autograph sessions. He won 266 games from 1936 to 1956 and missed almost all of four seasons during World War II. He won 25 the year before he left and 26 the full year he returned, so he might have won another 80 or 100 games.

“Ryan has us on longevity,” Feller said. “My wife says his arm must have been built on a Wednesday. I still say (Walter) Johnson must have been the fastest.”

Feller still owns the record for the fastest fastball in the semi-official clockings listed by the Hall of Fame. Ryan’s best is 100.8 mph. Feller’s was 107.9. He’ll stand up to defend that mark.

The strikeout records are subject to interpretation. When Ryan struck out 383 in 1973, it was during the era of the designated hitter and he didn’t get to throw to a single pitcher. But when Feller struck out 348 in 1946, a strikeout was still a strikeout.

The Anaheim Stadium message board during the ninth inning of a game Nolan Ryan pitched when first measured by a speed gun in 1974.

If these are the hairs you choose to split, consider that on April 26, 1990, Ryan, at age 43, tied Feller for career one-hitters with 12, a masterful effort over the visiting Chicago White Sox in a 1-0 complete-game triumph. When Feller was 43, he had been retired for six seasons.

When Ryan threw his record-extending seventh no-hitter in 1991, he was 44, the oldest to achieve such a feat and the first to do it in three different decades. Of Feller’s three no-hitters, the most remarkable is the one on Opening Day 1940. He was just 21.

At some point during that 1990 season, the 71-year-old Feller chimed in again for the record:

“Ryan’s a good pitcher. He’s learned how to pace himself. He’s learned how to pitch. But he’s mad at me because I’ve said that I could throw harder than he can. I don’t know why that bothers him. When Walter Johnson said he could throw ‘a mite harder’ than me back when I was just coming up, it never bothered me.

“My fastball was once timed at 98.6 miles per hour by photo-electric cells at home plate, but by then it was losing speed, maybe as much as 15 miles per hour. That was long before the radar gun they use now. The radar gun gives you the average speed of a pitch from the mound to the plate. On a radar gun, I would’ve averaged 105 to 107 miles per hour.”

When Feller died in 2010 at age 92 of leukemia, columnist Joe Posnanski, a Cleveland native, wrote:

Continue reading “Day 16 of 2026 baseball books: Fast, furious and fearless folklore, backed up by the facts”

Day 15 of 2026 baseball books: The drawing power of dual-edged storytelling

“The Ballpark and Beyond:
An Illustrated Celebration of
Baseball’s Rich History”

The author: Todd Radom
The details: Sports Publishing/Skyhorse/Simon & Schuster, 248 pages, $29.99, to be released May 26, ’26
The links: The publisher, the author, Bookshop.org


A review in 90 feet or less:

Illustration: Los Angeles Times

So, whatta you think about the newest Geffen Playhouse?

That’s our playful referencing of the Los Angeles County Museum of Art’s new $724 million addition, the Geffen Galleries, opened to the public as of May 4. It took 20 years of planning and six years of construction. It took going back to the drawing board, a lot of patience and persistence, and a city’s open-mindedness to add something this miraculous on the Miracle Mile.

A rule-bending, disorienting design brings us:

== A Peter Zumthor creation that’s been compared to a “concrete blob.” And a “concrete sandwich.” And a “concrete cow-paddy.” And a “concrete amoeba.” One even went so far as to call it “The Great Los Angeles Turd.” The New York Times called it “uplifting, lyrical and pugnacious.” The Wall Street Journal called it “a work of furious originality and ambition.”

== Counter-initiative floor-to-ceiling windows to draw in all the “urban light,” but if you’re really having a moody day, just draw the metal curtains.

== Cold, and cool, dungeon-like rooms to display an eclectic arrangement spanning Van Gogh to Ansel Adams to Diego Rivera among its 2,000 pieces, with far more awaiting in storage.

== A scrumptious 30-foot-span pedestrian overpass bridging Wilshire Boulevard, which might seem unnecessary until you park yourself on one of the benches and feel levitated over the mindless Door Dash traffic flow below.

== Its own Erewhon cafe. Drink, presented in art form. So why not?

Archinect.com

If one dares to call it polarizing, another insists it’s a “petri dish for experimental design.” And, oh the social media photo ops. TimeOut Los Angeles has put in the time to offer the 10-most photogenic things to see, as you angle to get a litter of tar-soaked Saber-Toothed Cats in the background with the proper aperture. Bravo, Pleistocene megafauna.

Don’t spin your wheels here on Superlative Alley. Cruise through if you’re over in that part of the freeway-free grid. Because, as you may know, art always brings serendipitous joy and rhythm to one’s spirits, especially if you’re experiencing May Gray, heading into June Gloom.

Raise the bar, too, when art is mashed up with anything sporty.

Not to paint ourselves into a divergent corner here, but …

I was stumped for ways to size up the latest amazing graphic art-meets-well-researched story presentation that Todd Radom has created and, seeking enlightenment and inspiration, I took an artistic side trip. I decided to contact him directly and flip this on him for a moment of glee.

During an email exchange, I asked Radom if he had seen the new collection of published work by LJ Rader called “Art But Make it Sports: Where Art and Sports Collide” (Chronicle Books, 176 pages, $18.95, released March 16, ’26.) This book is deserving, perhaps, of its own review amidst these new baseball books. But I wanted Radom’s take on it first.

From “Art But Make it Sports: Where Art and Sports Collide.”

“LJ Rader is brilliant — the guy is a genius, seriously,” Radom said. “I took art history classes in college and I’m married to a trained art historian, but his photographic memory and knowledge of art is striking, funny, and unique.”

Radam said he first connected with Radar on social media “when I conflated the Astros’ World Series scandal and The Ashcan School, the early 20th century art movement that depicted urban scenes with dark, gritty realism. I think ‘Art But Make it Sports’ is the only forum where you can include ‘ashcan’ and ‘trash can’ and connect artist John Sloan to the 2017 Astros.”

What Radam appreciates most about Rader is how he has “a unique brain. A layman who is interested in art and has the ability to retain shapes, colors, composition … all toward fun! We need more of that!”

So while that may seem like the perfect endorsement for Rader when his book goes to paperback — but, resist if possible — it’s also interesting to us that a review of “Art But Make It Sports” in the New York Times/The Athletic provoked Keith Law to write in the lead: “LJ Rader is the genius behind” … and then went on to explain how this project started on Instagram in 2019 and then bled over into Bluesky, and here’s a Q&A with the gentleman.

Another sidenote: Wasn’t it Rader who was responsible for seizing on a photo of a 2019 home-plate scuffle featuring Cincinnati Reds hitter Yasiel Puig taking on a hoard of yellow-clad Pittsburgh Pirates and suggesting it looked like some Renaissance battle painting? Somehow, we just assumed it was him — but then, there wasn’t an actual painting that the photo mimicked. Was there?

Cincy Shirts, a Cincinnati-based apparel company, seems to have commissioned a faux version of the moment to look like a Renaissance era work and dubbed it “El Guerrero Rojo” — aka, the Red Warrior — then slapped it on T-shirts. Puig then wore it out in public.

For the acuteness, perspicacity, inventiveness and a soothing virtuosity Radom pours into this latest work, it’s not a surprise we’ve come to link it to all sorts of other inspiring sports/art mashups lately.

When we caught wind that Radom produced “The Ballpark and Beyond” — and immediately paid up to get a signed copy — our expectations were a bit lofty after embracing his previous work, “Winning Ugly: A Visual History of Baseball’s Most Unique Uniforms” (Skyhorse Publishing, 184 pages, $19.99 paperback, released 2018). Our review at the time noted Radom had put together something that was “uniformly superior to anything we’ve seen like this before.”

When he did “Fabric of the Game: The Stories Behind the NHL’s Names, Logos and Uniforms” with Chris Creamer, Radom could expand more on this imaginative merger of imagery and verbiage.

This time, combining 150 original illustrations to go with his own 75,000-plus words, Radom creates 75 unique entries to soak in for all they’re worth. He goes off on appreciations of the game’s origins, its personalities, the quirky equipment, strange-but-true happening — leading the reader into his climactic wheelhouse, the “Hall of Jerseys,” under the umbrella of “The Look of the Game.”

If the purpose of this is, as Radom writes in his intro, to spark “introspection, discussion and curiosity … how can you not be intellectually curious about baseball?” — please indulge us in that exercise as we have our top half-dozen playlist of what resonated most with us:

Continue reading “Day 15 of 2026 baseball books: The drawing power of dual-edged storytelling”